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Brass Myrtle Wreath and Pin
New to our Permanent Gallery is a myrtle wedding wreath and lapel pin…made entirely of brass. The delicate pieces were used in 1894 for the 25th wedding anniversary of Elizabeth (nee Reimer) Enns and George Enns. They were married May 29, 1869 in the Mennonite village of Ohrloff in what is now Ukraine. The items were donated to the museum by Mrs. Rudolph Enns in 1978.
Myrtle is a plant with small green leaves, white blossoms and small berries. It was commonly used for wedding wreaths and pins among Mennonites from at least the 19th Century until the 1940s. Myrtle was made popular throughout Europe by Queen Victoria of England, who wore a wreath of myrtle on her wedding day in 1840.
Myrtle, however, has a much longer history in society. It has been a symbol of fertility, love and faithfulness for over 2000 years, and was considered sacred to the Greek Goddess Aphrodite. At the festival of Venus in Rome (Veneralia), women wore crowns of woven myrtle branches while bathing, and also used myrtle during wedding ceremonies. Many centuries later, myrtle’s pagan background assured it a place in the festivities of even the most reserved Victorians and Mennonites.
The Peters Barn at the Mennonite Heritage Village
The Peters Barn stood in the village of Vollwerk (now Mitchell, Manitoba) for 121 years, withstanding the wind and cold and providing the Peters’ family with a setting for their livelihood for many decades. In May, 2006 the barn was moved to the Mennonite Heritage Village, just days before it was set to be demolished by fire on May 31, 2006. This barn and others like it are part of an ancient building tradition spanning a dozen centuries in the lowland countries of Northern Europe.

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The Peters housebarn in 1945.
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Historical Significance
The Peters Barn was built by Peter Peters of Vollwerk in 1885, and this information is scribed into one of the barn beams. A house was once attached to its east end, the common building method of Mennonites at the time.
 Peter Peters, the builder of the barn, scribed his village (Vollwerk), name, and date of construction (1885) into one of the sway braces.
Peter Peters (1846-1913) was the son of Jakob Peters (1813 1884), one of the original 12 delegates to come to North America to determine what possibilities there were for migration to Canada. Peters recommended Manitoba to his people, and the Bergthaler were among the first Mennonite migrants to arrive in the East Reserve in 1874. It is therefore partly because of Jakob Peters that Mennonites are in Manitoba, and this barn stands as a reminder of this decision to migrate and make a new life in this province. Jakob Peters was the Oberschulze of the Bergthal community in Russia and in Manitoba. His son and grandson served as reeves in the area. The history of Jakob Peters is outlined in detail in John Dyck’s Oberschulze Jakob Peters: Manitoba Pioneer Leader (1990).
Structural Significance
The Peters Barn exhibits a number of interesting architectural features.
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| The sway braces are joined in lap-notch fashion (rather than mortis and tenon), with a unique curve on top of the joints seen among older Mennonite barns. |
The “bent design” (the large diagonal braces connected to spanning cross beams) is a less common form among Mennonite barns. This form is directly related to medieval Danish and north European barn design. |
Mennonite Heritage Village Location for the Peters Barn
The Peters Barn stands today as a testament to the faith and vision of Jakob Peters. It is a welcome addition to the Mennonite Heritage Village and will be preserved for generations to come.
Next preservations steps:
1. Install new oak sills.
2. Finish wood flooring.
3. Thatch roof of barn and house.
4. Replace all siding.
5. Re-install horse and cow stalls.
The Mennonite Heritage Village would like to thank the extended Peters Family, the Peters Barn Working Group, Cornerstone Timberframes Inc., and the Rural Municipality of Hanover for their continued support in the move and restoration of the barn. Anyone interested in making a donation which will go towards repair and preservation of the Peters Barn can contact the Mennonite Heritage Village at 326-9661.
Liebesbrief (Love Letter)
1794 Prussia
Agnethcke Quirings received this love letter from Johan Bartel von Mewsen just prior to their migration from Prussia to Russia in 1794.
Over a hundred years later the couple’s descendent Elizabeth (Klassen) Martens rescued the precious gift from a garbage heap in Wiesenfeld, Russia. She brought the item with her to Canada in 1927.
Johan and Agnethcke were the ancestors of many people who eventually settled in Steinbach.
On Loan from Hermann (Hank) Peters, 6th generation descendant of Johan and Agnethcke Bartel.
The 1794 Liebesbrief is brazenly romantic, containing eight poems written in red ink and surrounded by symbols of love, fidelity, and fertility. Four pairs of birds hold vines laden with fruits and flowers, culminating in large blossoms.
Astounding for its symmetry and detail, this Fraktur piece shows how Mennonites were able to express desire within a seemingly austere society.
Symbols in German Folk Art
Birds luck, imagination, freedom
Flowers transition, spring, beauty
Tulips faith, hope, charity
Hearts affection, love, compassion
I wish you as many fine days and moments
As there are stars in the heavens.
My heart would have to be pierced by a sword
Before I would leave you, my darling.
Translation of Second Poem
Pencil Box
1717
This pencil box was carved from the wood of an apple tree with a pocketknife by a young pig herder in Prussia. His name was Jacob Behrand, which is inscribed beneath the lid.
Wanted - donations
We are looking for:
~ an old violin in fairly good condition for display purposes.
Please contact us at:
Mennonite Heritage Village
231 PTH 12 N
Steinbach, Manitoba
R5G 1T8
PH. (204) 326-9661
Toll Free: 1-866-280-8741
Fax (204) 326-5046
info@mhv.ca
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